Spanish Mannerist Painter, ca.1520-1586 Spanish painter. The origins of his highly individual style are complex. His meticulous technique and the prominent echoes of the style and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This accords with Palomino's statement that Morales was trained in Seville by the Flemish Mannerist painter Peeter de Kempeneer (known in Spain as Pedro de Campara), who is recorded in Spain from 1537. It has been suggested that Morales visited Italy c. 1540, but this seems most unlikely.  Related Paintings of MORALES, Luis de :. | Madonna and Child with Yarn Winder | St Stephen agy | Madonna with the Child | Pieta | Christ Carrying the Cross |
Related Artists:
Frederick Smallfield
British Painter and Etcher , (1829-1911)
George Thomas
1816-1870 Union general in the American Civil War, b. Southampton co., Va. He served in the Seminole War and in the Mexican War. Later he taught at West Point and served in Texas. As a brigadier general of volunteers, he was sent to Kentucky, where he defeated the Confederates at Mill Springs (Jan., 1862). Thomas served under General Buell at Shiloh, Corinth, and Perryville. In the Chattanooga campaign, his stand on Sept. 20, 1863, which saved the Union army from complete rout, won for him the sobriquet Rock of Chickamauga. Appointed brigadier general in the regular army, he succeeded General Rosecrans in command of the Army of the Cumberland (Oct., 1863) and served under Ulysses S. Grant around Chattanooga and under General Sherman in the Atlanta campaign. With the fall of Atlanta (Sept., 1864), Grant ordered Thomas to pursue the army of General Hood into Tennessee. Although accused by Grant of moving too slowly, and threatened with the loss of his command, Thomas waited and finally defeated Hood at Nashville (Dec., 1864).
CRESPI, Daniele
Italian Baroque Era Painter, ca.1598-1630 Italian painter and draughtsman. He was the most original artist working in Milan in the 1620s, the first to break with the wilfully exaggerated manner of Lombard Mannerism and to develop an early Baroque style, distinguished by clarity of form and content. In this context his Supper of St Carlo Borromeo is one of the most famous early 17th-century pictures in northern Italy.